A literary fantasy about love, music and sorcery, set against the background of Mexico City. Mexico City, 1988: Long before iTunes or MP3s, you said “I love you” with a mixtape. Meche, awkward and fifteen, has two equally unhip friends — Sebastian and Daniela — and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio.
Source: Prix Aurora Award voter's package
Yes, yes, the Prix Aurora Awards are long over by now, but I wanted to still put up my review of William Gibson’s The Peripheral. It’s taken me a while to be able to sort out my thoughts on the book.
It’s the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it’s all under surveillance by an alien presence that refuses to show itself.
It’s been two months since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens have been silent since – until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us. Who to send to meet the alien, when the alien doesn’t want to meet?
When Auntie Catherine warns the family of an approaching asteroid, the Gales scramble to keep humans from going the way of the dinosaurs. Fortunately for the world, they’re wielding a guitar and a dragon.
The Gale family can change the world with the charms they cast, which has caused some supernaturally complicated family shenanigans in the past. So when NASA and Doomsday Dan confirm Auntie Catherine’s dire prediction, Charlotte “Charlie” Gale turns to the family for help.
It’s 2015, and Patricia Cowan is very old. “Confused today,” read the notes clipped to the end of her bed. She forgets things she should know-what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead.